![]() ![]() The Head Master was a great guy and so he actually listened to the pretentious little brat and gave me a space to rehearse, which got me away from the fighting and into my own first creative space. ![]() ![]() I told him that I would create a new play and perform it every Friday assembly, and that he needed to give me a space to rehearse in during break times. And so i decided to approach the head master of my school and strike a deal (I was 7 at this point). And also, I was getting into a lot of fights during breaks. My parents took me to a panto when I was 6 years old and I remember telling my mother that I was “going to do this, I was going to be onstage.” Then a combination of things happened - an older friend at school created a play and performed it at assembly, which made me question why I wasn’t do this. And with Dandypunk and Darin Basile on Heartcorps: Riders of the Storyboard, which recently featured as part of 2017 Sundance Film Festival (although it is a theatrical piece). I’m also working with Henry Wishcamper and Gabe Ruiz on an Epic Tale of Scale for Chicago Children’s Theatre, which will open in February/March 2018. I’m about to start working with Isaac Gomez on his play, The Displaced for Stage Left’s LeapFest. Canterbury, which is in the South East of England. ![]()
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